Bitter Seeds

Micha X. Peled, USA / India, 2011, color, HDcam, 87'
Synopsis

Manjusha Amberwar hopes to get her first article published in the local paper. Taking her first step as a journalist is not easy for the village girl, whose entire family opposes her ambition, and the topic of her article provides even less reason for joy. Her father was one of the many Indian cotton farmers who have committed suicide. She hopes that by drawing attention to their plight, she can bring an end to this epidemic, but it won't be easy. Many farmers switched to genetically modified seeds produced by the American company Monsanto, and the drawbacks proved to be manifold. In contrast to the supposed benefits, the costs for fertilizer and pesticides turned out to be far higher than before. What's more, the seeds require more water, and the farmers are rain-dependent in an arid area, so they rarely grow a large crop. Bitter Seeds is the third part of a trilogy by director Micha Peled about globalization. The first two parts were Store Wars: When Wal-Mart Comes to Town (2001) and China Blue (2007). In addition to Amberwar, Peled follows a farmer who is battling to keep his few acres of land. As in his previous films, he once again gives a human face to the victims of opportunistic multinationals. His own opinion isn't difficult to guess, but by simply allowing his subjects to tell their stories and without laying the sentiment on too thick, he leaves the final judgment in the hands of the viewer.

Comments
 
FilmGypsy:
“Quite surprisingly (I think) this doc got the Oxfam Novib award. Bitter Seeds is very disappointing in that it seems not to have gone deep enough in its research in the causes of the traumatic suicides of cotton farmers in India. All blame is (what else is new?) on Monsanto is the message that the viewer gets. Societal problems underlying the cause of the tragic deaths are not covered or only briefly mentioned (as a fact not as a cause), like absence of equal women rights (farmers see daughters as a financial burden), absence of creative and innovative thinking and lack of governmental initiatives to open small loans facilities, where in other developing countries this has tremendously helped to overcome poverty among farmers. By doing so it is not an insightful documentary but a manipulative use of images, unworthy of an IDFA price.”
Mark as improper 26 November 2011
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