As If We Were Catching a Cobra

Hala Alabdalla, United Arab Emirates / Syria / France, 2012, color, HDcam, 122'
Synopsis

Inspired by events surrounding the Danish Mohammed cartoons, Syrian filmmaker Hala Alabdalla interviews political cartoonists in Egypt and Syria about the tension caused by their work. What starts as a documentary about cartoons in the Middle East takes another turn when the Arab Spring arrives in both countries. From her studio in Paris, Alabdalla makes additional comments on the events in voice-over. The cartoonists talk at length about the tradition of political illustrations, their battle with censorship and their struggles to keep irony and rebellion alive under authoritarian regimes. After the protests, the director gets in touch with them again, asking them in what way the revolution has influenced their lives and work. Some of them actively participated in the protests and didn't come away unscathed. They reflect on their fears, the dangers of the uprising and the euphoria that came with the sudden freedom of expression. The interviews are combined with personal scenes of Alabdalla as she follows the revolution through social media, on her computer screen back in Paris.

Call for Entry: IDFA Bertha Fund Classic April 14, 2015 | The IDFA Bertha Fund has announced the second selection round in 2015 for IBF Classic. The deadline for application is May 15.
IBF announces February selection April 7, 2015 | The IDFA Bertha Fund has concluded its February 2015 selection round. Eleven documentary projects will be supported through the Fund's classic scheme, while another six projects have been selected for the new category IBF Europe.
IDFA DocLab's Caspar Sonnen receives EDN Award 2015 March 23, 2015 | Last Friday, the 11th EDN Award was presented to IDFA's own Caspar Sonnen, for "his pioneering commitment to interactive documentary work".
Film entry is open March 3, 2015 | With great pleasure IDFA announces that Film Entry for the 2015 festival is now open! Again, more than 250 documentaries will be selected, running the gamut from international audience favorites to artistic experiments along the fringes of the genre. Deadlines are May 1 and August 1.

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