Pasolini prossimo nostro

We are on the set of Salò or the 120 Days of Sodom. Despite the storm of controversy generated by the film, Pasolini is relaxed, almost joyful. He lets a small camera team led by the journalist Gideon Bachmann follow him around, engaging him in a long and extraordinary interview/conversation.Initially uncertain, Pasolini transforms the interview into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini’s metaphorical portrait of modernity.