100,000 Soccer fans jump up and down with extraordinary enthusiasm in a sold-out
stadium. The ones dressed in blue are rooting for Esteghlal, the ones in red for
Persepolis - those being the two most popular teams in Iran. All 100,000 fans
are men, as women are not allowed inside the stadium. Still, Maziar Bahari also
portrays women in his documentary about Iranian soccer fans - a girl who
anxiously visits a public practice soccer field to meet her hero and a young
woman who hides her ball on the roof of her house as she cannot play in the
street. Bahari shoots long scenes with extended shots, so we can silently
observe the conversations among fans as well as those between the fans and the
players. He depicts a wide cross-section of Iranian society, from imams and
infatuated teenage girls to Iranian immigrants in Germany, who get away with
expressing their patriotism because of an Iranian player on the Berlin team.
Back in Iran, an ex-soldier hopes Iran will "continue the battle" in the match
against former enemy Iraq. We also witness the exceptional outburst of joy and
national pride in 1997, when Iran qualified for the World Soccer Championships
in France. This event occurred a few months after the election of the reformist
Prime Minister Khatami, when a different wind seemed to be blowing. Meanwhile,
however, the political climate has turned much harsher once again.