Recoding Art

    • Bruno Moreschi, Gabriel Pereira
    • Brazil
    • 2019
    • 15 min
    • World Premiere
    • IDFA Competition for Short Documentary, DocLab Domesticating Reality, IDFA DocLab Spotlight
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    In this carefully composed film, the camera appears to wander casually through the Van Abbemuseum in the Dutch city of Eindhoven. Along with the artworks, intriguing phrases and keywords appear, sometimes in images, sometimes in audio, spoken by Lisa the computer.

    Digital media researcher Gabriel Pereira and visual artist Bruno Moreschi decided to present 654 works of art from the Van Abbemuseum to seven commercial artificial intelligences, which were trained to interpret images. The AIs prove primarily to see the artworks as products. “Our list of results looked like an IKEA shopping cart,” the researchers say. This creates a sobering and entertaining game of words and images that takes you out of your comfort zone. “Much like art, Artificial Intelligence often offers us the unexpected. We’re searching for these moments.”

    But wait a minute—wasn’t the AI trained by people? Moreschi and Pereira then show up with an unexpected trump card. What happens if they play the same game with human intelligence?

    Credits

    • 15 min
    • color
    • DCP
    • Spoken languages: English
    • Subtitles in: English
    Director
    Bruno Moreschi, Gabriel Pereira
    Production
    Fernanda Pessoa / Pessoa Producoes
    Cinematography
    Rodrigo Levy
    Animation
    Guilherme Falcão, Ricardo Monteiro
    Editing
    Luara Oliveira
    Created with Sketch. Show all credits

    IDFA history

    2019
    World Premiere
    IDFA Competition for Short Documentary
    DocLab Domesticating Reality
    IDFA DocLab Spotlight

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    IDFA history