Overseas

  • Sung-A Yoon
  • Belgium, France
  • 2019
  • 91 min
  • Dutch Premiere
  • Best of Fests
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How do you protect yourself against sexual harassment? How do you deal with abuse of any kind from a boss? And what’s the right way to serve a meal? In the Philippines, future housekeepers undergo training to handle demanding employers in places such as Dubai and Hong Kong. In static shots we see the trainees participating in role-playing games, alternating between the role of employer and subordinate. The resulting scenes are surreal. Soon to be separated from their own young families for many years, the women note down how to wash a baby in a tub, or help dress a woman who can’t do it herself.

Every year, these kinds of government­-accredited training centers in the Philippines prepare 200,000 housekeepers for work overseas. The film also follows some of the women as they make preparations for life in a foreign country with a foreign family. They exchange experiences and horror stories about bizarre working conditions. Bordering on fiction, Overseas brings to light the question of modern servitude in our globalized world, while emphasizing these women’s determination, their sisterhood, and the strategies they find to face the ordeals that await them in the near future.

Tickets

Overseas
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Wed 20 November - 18:15 - 20:06
Tuschinski 4
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Overseas
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Fri 22 November - 11:45 - 13:19
Tuschinski 5
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Overseas (Oxfam Novib Selection: Overseas + Doc Talk)
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Conversation with the filmmaker and an expert from Oxfam Novib, led by Mirthe Frese.

Mon 25 November - 18:45 - 20:51
Tuschinski 1
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Overseas
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Wed 27 November - 10:45 - 12:36
Brakke Grond Grote Zaal
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Overseas
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Thu 28 November - 13:00 - 14:45
Eye Cinema 1
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Credits

  • 91 min
  • color
  • DCP
  • Spoken languages: Tagalog, English, Filipino
Director
Sung-A Yoon
Production
Quentin Laurent for Les Films de l'oeil sauvage , Isabelle Truc for Iota Production, Hanne Phlypo for Clin d’Oeil Films
Co-production
Michigan Films, Centre de l'Audiovisuel à Bruxelles
Cinematography
Thomas Schira
Editing
Dieter Diependaele
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